DEMOGO

The plan-séquence cinematographic technique based on a continuous long take, represents a conceptual device through which the exhibit interprets a specific architectural research approach. The lack of coincidence between time of representation and time of experience allows architecture to be read as being structured through a multitude of long shots with a gradual progression of perception.

The projects refuse the idea of architecture as a static and complete object, but instead propose an articulate spatiality generated through sequences of moving points of view. Space reveals itself through the shifting of positions of glances which produce a plurality of imagery and relations between them. 

Context, materials, landscapes and urban fabric do not only function as mere backdrops but become dynamic actors within the architectural experience : conditions that are activated through movement and perception, within the depths of field of architecture, understood as an extension of the gaze across space and time.